The collection consists primarily of programs, newspaper and magazine clippings, photographs, awards, correspondence, memorabilia, audio recordings and video related to Angela Brown's career.

35 print issues published between December 1973 and July 1977 of the magazine Black Music.

The materials in this collection relate to Carl MaultsBy's activities as a composer, arranger, conductor, organist, keyboardist, singer, author and former music industry executive. Included are scores and recordings of his compositions as well as concert programs, photographs, notated music, sound recordings, videos and information about his performances and recordings.

This collection consists of printed and manuscript scores of music by Charles Coleman, including sacred and secular choral works, as well as ephemeral materials related to the composer.

This collection spans the active career (1964-) of Evelyn Simpson-Curenton as well as holds materials highlighting the renowned Singing Simpsons, and Evelyn's sister, Joy Simpson. It consists of CDRs, LPs, DVDs, and home-video tapes; along with several concert programs, photographs, personal letters and more.

Every Voice and Sing: The Choral Music Legacy of the Historically Black Colleges and Universities is a 5-part series on Black choral music that explores the social/political context of the Civil War/Reconstruction era that brought about the formation of these Historically Black Colleges and Universities and their amazing Singing Groups. The project is collaborative production of EVT Educational Productions, Inc. and JAZZ88.3FM WBGO Radio of Newark, New Jersey. The series was broadcast by over 240 public radio stations.

Extensions of the Tradition is an annual event featuring a concert of music by black composers with related exhibits and programs, co-sponsored by Indiana University's African American Arts Institute, the AAAMC, and the Jacobs School of Music. The event is documented through program booklets, flyers, photographs, and video and audio recordings.

The papers of Gertrude Rivers Robinson contain music manuscripts and sketches, correspondence, press clippings, class notes and coursework, lecture materials, audio recordings, photographs, slides, films and videos documenting her life and career as a composer, ethnomusicologist and pedagogue, including her research on the Balinese gamelan tradition.

The collection consists primarily of programs, newspaper and magazine clippings, photographs, scrapbooks, awards, correspondence, memorabilia, posters, clothing, audio recordings and video related to Marietta Simpson's career.

Programs, press releases, audio recordings, and manuscript charts for jazz compositions composed by Hamilton College music professor Michael "Doc" Woods.

Papers, photographs, music manuscripts of original jazz and classical compositions, sound recordings and videos documenting the career of jazz pianist Mickey Tucker.

This collection includes press clippings, publicity materials, photographs, programs, CDs, and audio and video documenting Patrice Rushen's lectures and performance at Indiana University in April 1997.

Research materials and recordings collected by Turner for her two groundbreaking discographies Afro-American Singers: An Index and Preliminary Discography of Long-Playing Recordings of Opera, Choral Music, and Song (1977) and the Dictionary of Afro-American Performers: 78 rpm and Cylinder Recordings of Opera, Choral Music, and Songs, c. 1900-1949 (1990). Includes 78 rpm records, cylinder recordings and sheet music, many documenting the works of early Black composers, as well as interpretations of their music by white artists. Though primarily focused on classical vocal music and musical theater, recordings also include performances by jubilee and gospel quartet groups, blues, rhythm and blues, and jazz musicians. Research files include 5 boxes of programs, clippings and photographs of Black artists and composers.

Series G, "Music Industry Interviews," consists of transcripts and audiocassettes of interviews primarily conducted by Portia K. Maultsby between 1981-1986 as part of her research on the Black music industry. The remainder of the series in this collection are still in the process of being accessioned and are unavailable for general research and public use.

This collection includes interviews and research materails used for the production of the book The Black Composer Speaks (1978), a project initiated by the Afro-American Arts Institute at Indiana University, and co-edited by Lida M. Belt, David N. Baker and Herman C. Hudson. The majority of the interviews were conducted by Lida Belt (Baker).

This collection consists of published and manuscript scores of Moore's music, as well as photographs of Moore and videos containing performances and interviews.

Manuscript and printed scores, photographs, biographical material, and recordings by Black composers active from 1950 to present.

This collection consists of manuscript scores of Banfield's music, promotional and ephemeral material relating to Banfield, and recordings and transcripts of interviews that Banfield conducted with a variety of African-American composers as well as recordings of Banfield's radio show, Landscapes in Color.